صورة الإرهاب في النص المسرحي العربي
Keywords:
terrorism, state terrorism, Arab theater, theatrical textAbstract
This study aims to identify the concept of terrorism and its forms and levels in the Arab theatrical text, and to monitor the essential difference between terrorism and resistance, which is the legitimate right of people to achieve freedom and independence.
The study analyzes three Arabic theater plays: "Rape" for Saadallah Wannous, "Life Now" for Fatima Al Mazroui, and "Lilac Forenoon" for Ghannam Ghannam. The study timeline covers (1990- 2016). Researchers follow the descriptive and analytical approach, being of interest for those working in the field of theater whether they are authors, directors or critics, as well as academic institutions that deal with theater like institutes and schools of fine arts.