The Koran referentiality in the poem of the crusade invasion

Abstract

      The research is about the koran referentiality in the crusade invasion in the Ayubi and Mamlouki reign, which emerged clearly in multi brands, and the referentiality is considered as a way that the author relies on in his writing and poetry, as his language skills appear in placing the koran verses so it attracts the receiver’s attention and excites him, on the other hand, the referentiality contributes in appearing the religious culture of the author by linking the koran verses with the literature text. The poets of the crusade invasion did not neglect this matter in terms of placing their poetical production, which shows the cultural and cybernetic storage which that poetical texts own of social and cultural invariants gathered to form a lingual spun depended on the koran referentiality; to express the proficiency of the author and his ability to create the multitude of the catchword and show the reality image which the poet lives very obviously.

      The research looks to reveal the nature of the koran referentiality in that period, and shows the contexts that were reported in it, in terms of the formulation, compounding and evidence, to create a fertile material through which it can unveil the nature of koran material fusion in the poetical production.

      The research also goes on to hold the patterns of the koran referentiality and its brands in the crusade invasion, and what it produced of different clues that carries thoughts and emotions which the receiver can understand, and the goal of the research is to reveal the hidden issues in the relationship between the original text which is the koran and the product text which is the crusade invasion.